Ceramic Exhibition
"I like simple things because they don't bring distractions." — Miyuki Koizumi
The essence of objects relies on the spontaneous resonance between the hand and the heart; by eliminating excess, one can better perceive the integration of objects, materials, and people as the essence of life. Stripped of embellishments, daily life should offer the most fundamental and fitting care—delicate yet reassuring. A minimalist and unadorned appearance reflects an individual’s abundant and self-sufficient inner world, creating a space for mindfulness, ease, and repose. Using clay as a medium, Japanese ceramic artist Miyuki Koizumi pours her emotions into ceramics, and always firmly believes in the idea of "making useful things". In the simple atmosphere of handmade ceramic vessels and modernism, she seeks a way to live in harmony with the environment. Through introspection, she rests herself and establishes a positive connection with the world around her - just like Miyuki Koizumi's minimalist ceramics concept.
The exhibition will showcase several works by Miyuki Koizumi, with the layout inspired by the atmosphere of a workshop. It will recreate a corner of Koizumi’s studio in Koshigaya, Saitama Prefecture. The space will be decorated with sketches and everyday tools brought back from the studio, such as ceramic tools (scrapers, knives, etc.) and glazing tools (wooden buckets, brushes, etc.). Through images and tools marked with traces of daily life, the exhibition captures the moment of the ceramic artisan’s craft, freezing it in a quiet space. It will depict a scene embodying the spirit of craftsmanship.
Q&A
YEARLY PLAN = YP
Miyuki Koizumi = MK
YP: What prompted you to come to China and collaborate with LINFORNI GALLERY on this exhibition?
MK: First of all, the YEARLY PLAN team noticed me at the Mashiko Museum of Ceramic Art in Japan. They came to my workshop in person and I had the opportunity to meet and talk with the team in the studio. They patiently explained the history and experience of the brand and their appreciation of my work. Through these conversations, I was attracted by the friendly attitude of the team members and decided to accept their invitation to collaborate on the exhibition.
YP: How did you start working with ceramics? And what inspired your current creative style?
MK: I first got into ceramics by helping a friend in a ceramics class. I learned about pottery techniques and kilns. On this basis, I decided to study ceramics systematically at a vocational school. The teachers I met at the vocational school had a great influence on my current creative style.
YP: What style do you associate with YEARLY PLAN? Are there similarities in terms of expression?
MK: I think YEARLY PLAN's aesthetic, underlying spirit and choice of clothing all reflect a simple yet high quality style. The similarities between my work and theirs probably lie in the pursuit of simplicity.
